Next with Stage Door Series

in Gamut Theatre’s Alexander Grass Second Stage

Edward III, published anonymously in 1596, has become increasingly accepted by scholars as written (at least in part) by William Shakespeare. In this play, King Edward finds himself besieged on two fronts: to the south, France is disputing his claim to the throne, and in the north, the Scots are advancing on a castle held by the young, beautiful Countess of Salisbury, wife of the Earl of Salisbury. After driving back the Scottish army, Edward falls passionately in love with the countess and attempts to bed her. When he finally accepts that her no means no, he sets off to subdue France instead, rather more successfully.

Join us for a performance of selected scenes from the play and then stay for a post-show discussion that asks the questions, What can we learn about early modern drama from watching this rarely produced Elizabethan play? How do we judge this play on its own merits, not in comparison to Shakespeare's more well-known oeuvre? 

Dr. Emily MacLeod (Penn State Harrisburg), who is currently writing a new introduction to the play for Oxford World's Classics, will lead the presentation and discussion.

PERFORMANCE TIMES

January 16 & 17 at 7:30 PM

January 18 at 2:30 PM

As always, Stage Door admission is by donation only upon arrival. “Come as you are, Pay what you will!” Doors will open 1 hour prior to each performance.

What is Stage Door Series?

The Gamut Stage Door Ensemble was created to foster collaboration among local theatre artists and to encourage the production of theatrical works that meet the Stage Door mission—that is, to explore the relationship between classic stories and modern expectations by developing fresh approaches to traditional themes, mindfully challenging theatrical conventions, supporting local artists, and connecting with our audience.

Each season, the Stage Door Series strives to complement and build upon Gamut’s mainstage work through the presentation of engaging and educational workshop productions that highlight the essential elements of theatre: the text, the story, the actor, and the action. Our aim is to offer accessible theatrical experiences, to reach new audiences, and to involve new members of the arts community—maybe that means you!

In the past, the Stage Door Series has included not just familiar plays but also radio theatre, staged readings, original works by local playwrights, poetry collections, and combat showcases. This year, we’re excited to showcase a brand new play in January and to present an evening of upended expectations in the spring. 

While the Stage Door Series maintains the professional theatrical standard of Gamut Theatre, all participation in Stage Door productions is volunteer, and admission for every production is by donation only, as defined by our motto: “Come as you are; pay what you will.”